13/03/2015

Feminist Duration in Art and Curating


Goldsmiths, Department of Art, Research Symposium
16th and 17th March, 2015

This two-day research symposium considers the resonance of feminist art, thinking and collectivity in contemporary life. Riffing on Amelia Jones' concept of 'queer feminist durationality,' it explores feminist legacies, potentials and pitfalls to examine how tactics and strategies from earlier movements and projects are being re-examined and redeployed today. Concerned with the dangers of romanticising earlier struggles and succumbing to Left melancholy, the symposium looks at how feminisms in art and curating contribute to a constellation of cultural production. Such speculations open up the differences in intention and reception across place, time and context.

With:
Kajsa Dahlberg (Berlin and Malmö), Claire Fontaine (Paris), Laura Guy (Goldsmiths), Rehana Zaman (Goldsmiths), Helena Reckitt (Goldsmiths), Louise Shelley (The Showroom, London), art historian Catherine Grant (Goldsmiths), Nina Power (University of Roehampton).
At Goldsmiths College, Richard Hoggart Building, rooms 325-326,